Spencer Bell, Nobody Knows My Name

Spencer Bell, Nobody Knows My Name The audiovisual essay showcases Bell’s performance, by only selecting and using sequences that he is in. I decided to not reverse the order of but also footage within clips themselves. Through reversing from film, we see representation unfold, reanimating his performance. By focussing solely on draws attention him as an actor celebrates talent whilst illustrating constraints in which was working. It does so ask questions about cinema more critically unpick racist imagery evident onscreen. argues it important watch such depictions challenge them, confront imagery. In hoped will prompt audiences seek out work performances full and, turn, understand institutional racism working under.